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Stomping the Blues

Albert Murray

Paperback
$16.95 US
$23.95 CAN
ISBN: 978-0-306-80362-8
ISBN-10: 0-306-80362-3

Description

This study of the blues by one of America's premier essayists and novelists will change old attitudes about a tradition that continues to feed the very heart of popular music-a blues that dances, shakes, shimmies, and exchanges bad news for stomping, rollicking, pulse-quickening good times.

http://www.perseusbooksgroup.com/features/jazz/


Author

Albert Murray was born in Alabama in 1916. A cultural critic, biographer, essayist, and novelist, he has taught at several colleges, including Colgate and Barnard, and his works include The Omni-Americans, South to a Very Old Place(nominated for a National Book Award), The Hero and the Blues, and Trading Twelve: The Selected Letters of Ralph Ellison and Albert Murray. He has also won the ASCAP-Deems Taylor Award for Stomping the Blues.


PRAISE

"[Murray] is possessed of the poet's language, the novelist's sensibility, the essayist's clarity, the jazzman's imagination, the gospel singer's depth of feeling."
New Yorker

”A flamboyant, insightful examination and evocation of the sources, styles, and mythologies of blues music.”
Newsweek

”Murray writes of the blues from the inside. His observations and conclusions show his authoritative comprehension of a blues musician’s roots, the choices and adaptations he makes of existing material to form his own style, and the off-stage personal style he creates to go with it. . . . Murray’s preaching is sound.”
Amy Lee, Christian Science Monitor

”An entire chapter is devoted to correcting misconceptions about the blues and to redefining the music and its connotations for American culture.”
Jason Berry, Nation

”The most eloquent book ever written about African-American music.”
Stanley Crouch, Village Voice

”By far the most stimulating interpretation of the meaning of jazz in African-American life.”
Martin Williams, author, The Jazz Tradition

“It is a discussion of the basic aesthetic values of blues music, how those values embody ritual responses to life, and the manner in which they originated in American black communities and were stylized by individual geniuses into an art of universal import.”
Gary Giddins, New York Magazine

“As striking a book about music as I have ever seen.”
Greil Marcus, Rolling Stone

”A paean to blues music, the artists who play and sing it, and the spirit that invigorates it.”
New York Times


 

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