"[Murray] is possessed of the poet's language, the novelist's sensibility, the essayist's clarity, the jazzman's imagination, the gospel singer's depth of feeling."
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New Yorker
A flamboyant, insightful examination and evocation of the sources, styles, and mythologies of blues music.
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Newsweek
Murray writes of the blues from the inside. His observations and conclusions show his authoritative comprehension of a blues musicians roots, the choices and adaptations he makes of existing material to form his own style, and the off-stage personal style he creates to go with it. . . . Murrays preaching is sound.
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Amy Lee, Christian Science Monitor
An entire chapter is devoted to correcting misconceptions about the blues and to redefining the music and its connotations for American culture.
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Jason Berry, Nation
The most eloquent book ever written about African-American music.
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Stanley Crouch, Village Voice
By far the most stimulating interpretation of the meaning of jazz in African-American life.
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Martin Williams, author, The Jazz Tradition
It is a discussion of the basic aesthetic values of blues music, how those values embody ritual responses to life, and the manner in which they originated in American black communities and were stylized by individual geniuses into an art of universal import.
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Gary Giddins, New York Magazine
As striking a book about music as I have ever seen.
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Greil Marcus, Rolling Stone
A paean to blues music, the artists who play and sing it, and the spirit that invigorates it.
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New York Times